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"[...] With an as poetic as playful touch, an intimate soundscape that felt at once familiar and alien was conjured. The mixture of everyday objects and musical instruments created an evocative mood. [...]"

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"With this, Swedish chamber music has been given a work that the jury is already daring to proclaim a classic [...]"

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“[...] Sounds of glass and metal picked up where the electronics left oft, and the effervescence was picked up by the voice in repeated, ultrarapid “Praise the Lord”. The attention was heightened by subtle playing on flower pots and gongs, as if in an alchemist’s laboratorium [...]”

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”(...) The night image is particularly apt for Jenny Hettne's exquisite While she was dreaming, scored for violin and tape.”

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”…both surrealistic and groovy…”

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”An orchestra piece with a subtle sonorous poetry that adjoins the fascinating world of electroacoustic music.”

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  • Karin Hellqvist performing While she was dreaming

Jenny Hettne is a Swedish composer of contemporary chamber, orchestra and electroacoustic music, focusing on the exploration of sound and timbre. Her composing often involves close and innovative collaborations with the musicians.

Jenny’s music, called ”a subtle sonorous poetry” and ”both surrealistic and groovy” is performed worldwide by ensembles such as Duo Harpverk (Iceland), Riot Ensemble (UK), New European Ensemble (The Netherlands), Busan Metropolitan Traditional Orchestra (South Korea), Quasar Saxophone Quartet (Canada), Gageego!, Gothenburg Combo, KammarensembleN, Stockholm Saxophone Quartet and UmeDuo (Sweden). Her piece A swarm came in from the dark, which the jury ”is already daring to proclaim a classic” was awarded the prestigious Järnåker Prize in 2018, the biggest chamber music prize in Sweden.

@composerjennyhettne

  • Solo with electronics
    • As they flutter about
      for amplified bass clarinet and tape
    • Susurrant metal, singing rocks
      for violin, objects and electronics
    • Rop, böljande
      for horn and tape
    • While the heart’s heartbeat beats its old song
      for amplified saxophone and tape
    • While she was dreaming
      for amplified violin and tape
    • Ytor, böljande
      for percussion and loudspeaker
    • Reed, chanting
      for oboe and tape
  • Duo
    • Sweet Thursday
      for guitar duo
    • Ting and Twine
      for harp and percussion
    • Bells and Tides
      for cello and percussion
    • Gesång
      for mezzo soprano, percussion and electronics
    • Wavering wood, whirling metal
      for harp, percussion and music boxes
  • Ensemble
    • T(h)ree
      for voice, harp, percussion and electronics
    • Whispering c(h)ords, quietly falling
      for ensemble
    • Stimme aus der Ferne
      for ensemble
    • Swirls and Shades
      for eight saxophones
    • Trio
      for traditional Korean percussion, piano and violin
    • A swarm came in from the dark
      for violin and ensemble
    • Tinkles, clinks and heavenly metal
      for violin, Paetzold, objects and electronics
    • Paths of Wood and Pearl
      for ensemble
    • Reed, undulating
      for ensemble
    • Backdrifting
      for ensemble
  • Orchestra
    • Whirli(gigue)
      for large symphony orchestra
    • Krusning Skiktning
      for piano and orchestra
  • Music for young musicians
    • Thawing, undulating
      for saxophone, trombone and any six instruments
    • Musik för strängar
      for piano four hands
    • For Ashley
      for prepared piano and tape
Concerts
  1. Mycorrhizal network, premiere!

    Stockholm Chamber Brass

    Grünewaldsalen, Stockholms Konserthus
    October 3, 2025 @ 20:30
  2. HABITAT

    Kwartludium

    Beijing Modern Music Festival, China
    May 17, 2025
  3. As they flutter about

    Robert Ek

    Intonal, IAC, Malmö
    April 26, 2025 @ 20:00
  4. HABITAT – premiere!

    Kwartludium

    Svensk Musikvår, Konstakademien
    March 22, 2025 @ 19:00
  5. Swirls and Silhouettes, premiere!

    Stockholm Saxophone Quartet

    Levande Musik, Atalante, Göteborg
    January 28, 2025 @ 19:00

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Copyright 2018. All rights reserved. | jennyhettne@jennyhettne.com