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    • Solo with electronics
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        for violin, objects and electronics
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        for horn and tape
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        for amplified saxophone and tape
      • While she was dreaming
        for amplified violin and electronics
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        for percussion and loudspeaker
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        for oboe and electronics
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      • Sweet Thursday
        for guitar duo
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        for harp and percussion
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        for cello and percussion
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        for mezzo soprano, percussion and electronics
      • Wavering wood, whirling metal
        for harp, percussion and music boxes
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      • Whispering c(h)ords, quietly falling
        for ensemble
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        for ensemble
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        for eight saxophones
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        for traditional Korean percussion, piano and violin
      • A swarm came in from the dark
        for violin and ensemble
      • Tinkles, clinks and heavenly metal
        for violin, Paetzold, objects and electronics
      • Paths of Wood and Pearl
        for ensemble
      • Reed, undulating
        for ensemble
      • Backdrifting
        for ensemble
    • Orchestra
      • Whirli(gigue)
        for large symphony orchestra
      • Krusning Skiktning
        for piano and orchestra
    • Music for young musicians
      • Thawing, undulating
        for saxophone, trombone and any six instruments
      • Musik för strängar
        for piano four hands
      • For Ashley
        for prepared piano and electronics
  • Home
  • About
  • Concerts
  • Repertoire
  • Gallery
  • Press
  • Selection of works
    • Solo with electronics
      • Susurrant metal, singing rocks
        for violin, objects and electronics
      • Rop, böljande
        for horn and tape
      • While the heart’s heartbeat beats its old song
        for amplified saxophone and tape
      • While she was dreaming
        for amplified violin and electronics
      • Ytor, böljande
        for percussion and loudspeaker
      • Reed, chanting
        for oboe and electronics
    • Duo
      • Sweet Thursday
        for guitar duo
      • Ting and Twine
        for harp and percussion
      • Bells and Tides
        for cello and percussion
      • Gesång
        for mezzo soprano, percussion and electronics
      • Wavering wood, whirling metal
        for harp, percussion and music boxes
    • Ensemble
      • Whispering c(h)ords, quietly falling
        for ensemble
      • Stimme aus der Ferne
        for ensemble
      • Swirls and Shades
        for eight saxophones
      • Trio
        for traditional Korean percussion, piano and violin
      • A swarm came in from the dark
        for violin and ensemble
      • Tinkles, clinks and heavenly metal
        for violin, Paetzold, objects and electronics
      • Paths of Wood and Pearl
        for ensemble
      • Reed, undulating
        for ensemble
      • Backdrifting
        for ensemble
    • Orchestra
      • Whirli(gigue)
        for large symphony orchestra
      • Krusning Skiktning
        for piano and orchestra
    • Music for young musicians
      • Thawing, undulating
        for saxophone, trombone and any six instruments
      • Musik för strängar
        for piano four hands
      • For Ashley
        for prepared piano and electronics

Backdrifting

for flute, trombone, percussion, piano/harmonium and cello

Photo of Ensemble Gageego!
Ensemble Gageego! / Photo: Marco Feklistoff

Backdrifting was written for Göteborg-based ensemble Gageego! in 2006. The given instrumentation of five inhomogeneous instruments was the inspiration to write something homogeneous; this turned into the second half of the piece, while the first half is more contrasting and chaotic.

Durata: 9’30

Score available for download.

  • Premiered by Gageego!, Stenhammarsalen, Göteborgs konserthus, February 2006.
  • Performed by Caput, Young Nordic Music, Reykjavik, September 2007.
  • Performed by Gageego!, Älvsborgs kyrka, Göteborg, March 2021

Live recording, Stenhammarsalen, Göteborgs Konserthus 2006:

http://jennyhettne.com/wp-content/uploads/2018/08/Backdrifting.mp3

Program note (English)

Backdrifting (2006)
for flute, trombone, percussion, piano/harmonium and cello

Backdrifting is an exploration of sound and timbre of the five inhomogeneous instruments. It is built up by two very different materials, both however relating to the transformation of an electroacoustic sound world into acoustic instruments. The first part of the piece is created out of spectral analysis of environmental sounds recorded in India, resulting in a harmonically and rhythmically chaotic material. The second part is inspired by the electronics in a Radiohead-song called “Backdrifts”, a simple rhythm and harmony, but a great variety of timbre.

Copyright 2018. All rights reserved. | jennyhettne@jennyhettne.com